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Gabriela Acevedo
There are various paths to
enter the world of art, yet few of them result so interesting
and captivating as entering it through the sensitivity of a
brush-stroke, the skill in the handling of shape and color, and
the lack of restraint when unraveling the mysteries of history
and art.
It all began in the world
of a studio. A small corner where the easel, oils, watercolors,
canvas and sketches intermingled with Don Joaquin Torres
Garcia's precepts, with the breaking up of colors and with the
heart of a painter who started off in this very old art long
before her youth.
Hand in hand with who
without doubt, came into this world to paint, we discover what
commitment can achieve, what knowledge can give and how far love
for what we do can carry us.
Whether from the south of
America or from her early days in Mallorca, discovered together
with her mentor Don Edgardo Ribeiro, Gabriela Acevedo set her
objective without haste but with certainty. Today she has a name
for herself in the world of art and teaching. .
She enjoys awakening new
passions in her students. She commits to her work and she is a
source of knowledge. Guide and company. Observing her paintings
and recognizing her palette is approaching art from a space of
one's own.
E-mail:
gabrielaacevedo@adinet.com.uy
Website:
www.gabrielaacevedo.com |
Gladys González
The elements materialized
in her works provoke, trough subtle tone changes, stump and
unfinished parts, questions and ambiguities that result in an
image in which the very same observer deals with reconstructing
an allegoric story (maybe his own one?).
The forms and colors used
by the artist take us to our memory images, and the depth of its
meaning does not prevent us from looking at with a playful
attitude, in which the excitement of discovering the meaning of
shapes overlaps the excitement of meeting our desires,
aspirations and fears.
The technique used
develops various combinations. From the accidental blot to a
mono-copy imprint or a suggested pattern, a feeling of sinuous
rhythms and wavy movements is obtained.
Paper, ink, pens and
paintbrush are the basic tools to attain results that are always
different.
E-mail:
dmcastro@adinet.com.uy
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Daniel Castro
 His
works, displayed in this exhibit, try to explain the relation
between geometry and nature, as web as to give priority to the
formal aspects of every composition. Geometry is not only
present among objects (Cezanne) , but also in the way objects
are related and it is at this point where the artist centers his
search, in the balanced relationship between weights and visual
tensions.
Accepting the naturalist
view, the representation is framed into the figurative
parameters, but without falling into the virtuosity excesses,
which eventually mask the plastic content the work of art.
The artist presents to us
a world of order and calm, where the geometric rigor allows us
to quote Spinoza, "natura ordine geometrico demonstrata".
E-mail:
dmcastro@adinet.com.uy
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Hugo Varela
"Matter Sublimation"
The interior world of this
artist is revealed through this series that shows the instant in
which the natural elements open themselves to another dimension.
This dynamic of spaces and elements involves us and it nourishes
from our own dreams.
E-mai:
hmvarela@adinet.com.uy
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